cinderella the musical Essay Example

cinderella the musical Essay Example cinderella the musical Essay cinderella the musical Essay cinderella the musical BY 10021991 Walt Disneys 1950 animated feature film Cinderella, which was based on the fairy tale Cendrillon by Charles Perrault and the Grimms Fairy Tales. Everyone knows the story, and the animated film is a beloved classic. The challenge then for Resorts World Manilas production of Rodgers and Hammersteins Cinderella is to measure up to such high standards. Just an aside: Rodgers and Hammersteins Cinderella is a 1957 musical written for television, starring no less than Julie Andrews. Its been remade for television twice, ith one version featuring Brandy Norwood, Whitney Houston, Bernadette Peters, and our very own Paolo Montalban. Its also been adapted for the stage numerous times. Most recently, Lea Salonga played the title role. Stepping into the glass slippers this time is Karylle Tatlonghari, with Christian Bautista playing Prince Charming (or rather, as his character is named, Prince Christopher). The chemistry between the romantic leads is crucial, and Karylle and Christian have it in spades. Having partnered up before in West Side Story, Rama Hart, and Kitchen Musical, its obvious they are naturally at ease with one another, hich helps them portray the breathless exhilaration of falling in love without appearing corny (perfect casting for a telenovela! ) And their stellar vocal chops allow them to hit the difficult high notes of the songs. Rodgers and Hammersteins songs are very pleasant and hummable, with organic lyrics that are essential to narrating the story. Standout songs include In My Own Little Corner, Impossible/lts Possible, and the haunting Do I Love You Because Youre Beautiful? Playing Cinderellas stepmother, Sweet Plantado chews the scenery (but in a good ay) and steals the show with every lip curl and cutting one-liner. The two bickering stepsisters (Gianina Ocampo and Maronne Cruz) display a flair for physical comedy and slapstick. The comic relief provided by the villains is a nice antidote to all the sweetness. Menchu Lauchengco-Yulo, the glamorous fairy godmother, appears at a critical time and in grand fashion, landing from the sky. Cinderella wishes she could go to the Princes ball, along with all the young ladies in the land. Applying reverse psychology, the fairy godmother gently chides her for fixating on wishes and dreams and ncourages her to be responsible for her own destiny. Cinderella starts to form a plan. What if she hitched a ride along the next carriage, or fixed the dress that her stepmother had callously ripped? But before she can fgure out a plan, the fairy message of female empowerment is not pushed far enough, unlike in, say, Ever After. One wonders how the story would turn out if Cinderella had taken control of the situation. But then we would have missed the magic. With the aid of smoke and fog, a bit of pyrotechnics, and a super-quick costume change, the mice are transformed into orsemen, a white carriage arrives (but alas, no pumpkin! ) and Cinderella gets a makeover, changing from peasant to princess. These transformations were much appreciated by the audience, who clapped with every dramatic presto change-o. Aside from the performances, the shows winning formula is the fantastic stage design by Andrew Botha. How do you measure up to Walt Disneys Cinderella? With the clever use of animation, of course, the stage scenery includes a massive video wall that shows flat and 3D animated illustrations of the different locations, from the town, to Cinderellas house, to the palace. This presents endless possibilities for setting and scene changes. The quaint illustrations, similar to that of a storybook, are jazzed up with layers, motion, and precise transitions, creating an immersive world. There are also video screens flanking the stage, providing a live feed of the action onstage, as well as close-ups. The more traditional set design includes a grand staircase and an enormous fireplace. The songs, performance, and multi-media stage design all come together to bring the fairy tale to life. It may not achieve the perfection of the Walt Disney animated film, but it holds its own.

30 Unprofessional Things You Should Never Say at Work

30 Unprofessional Things You Should Never Say at Work Being â€Å"professional† can feel a bit new at first. It takes some getting used to. Just like any other social arena, the working world has its own special set of rules. One of the cardinal ones is to speak and conduct oneself like a grown up. Here are 30 words and phrases you should never say at work. 1. I could list all the words here that you shouldn’t use, but that list would be too long. Bottom line: if it’s a curse word, keep it for home use.2. â€Å"We’ve always done it like†¦Ã¢â‚¬ If someone asks you to do something you aren’t accustomed to, or to do it in a different way, this is the last thing you should say. Save the constructive feedback for the review.3. â€Å"I’m not afraid to †¦.†A healthy degree of fear is not a bad thing. In fact, it’s best to have some fear and master it than to have had none at all.4. â€Å"Yes† (when you don’t mean it)It’s always better to say no than to dis miss someone with a ‘yes’ and then disrespect them by not delivering.5. â€Å"It’s important.†Convey the importance of a task or strategy in other ways. If you have to be obvious, you’ve already lost.6. â€Å"Are you upset?†This is almost as bad as â€Å"are you mad at me?† If you have to ask; you probably already know the answer.7. â€Å"Like†You’re not in middle school anymore. People will judge you for using â€Å"like† as sentence filler.8. â€Å"Literally†Same deal. Adverbs are best avoided anyway. And besides, this one is seriously overused.9. â€Å"I thought you were doing that.†Conveys confusion, that you don’t know what’s happening with your team. Also conveys that you’ll shirk any responsibility you can.10. â€Å"That’s impossible.†Might as well admit to being a quitter. Don’t shut down and limit your coworkers (or yourself) from coming up with creat ive solutions.11. â€Å"You misunderstood.†Don’t put the blame immediately on the other person. Try to find a better way to explain your original intent or meaning that doesn’t shirk responsibility for communication.12. â€Å"Sorry I was late†Just don’t be late. Respect your time and others’ time. Period. If you were really sorry, you wouldn’t have been late.13. â€Å"Because I’m in charge†You’ll just be resented for being heavy-footed. Convince people to follow your lead by example and by earning their regard.14. â€Å"Sorry†If you did something worthy of an apology; just fix it. Sorry isn’t enough. And if you’re just apologizing willy-nilly for anything and everything- stop. It makes you look weak an under-confident.15. â€Å"I’m bored.†You’re not bored. You’re boring. Show a little initiative and find something to do.16. â€Å"I’m busy.†Even if youà ¢â‚¬â„¢re too swamped to listen or to help out, find a better way to communicate this without sounding so self-centered.17. â€Å"Well I†¦.†Don’t one-up people. They hate it. A conversation isn’t just an opportunity to tell everyone how much better your stories are than theirs. Try listening for once. You’ll get your turn to shine.18. â€Å"That wasn’t my fault.†Even if it wasn’t. You look like a sell-out. Concentrate on how to fix the problem, not whose fault it is.19. â€Å"I can’t do all of this by myself.†Sure you can! And if you can’t, be sure it’s for the right reasons- not just that you’re feeling lazy. Asking for help in the right circumstances is always okay.20. GossipThat’s something that you need to leave in school. Professionals focus on work and more constructive social interactions.21. â€Å"Details, details.†This comment is flip and makes you look lazy and inattentiv e. Details are crucial.22. â€Å"I was just doing what I was told.†This is just trying to blame your superiors instead of your co-workers and it will almost never end well.23. â€Å"I have a brilliant plan.†Plans are one thing; execution is another. Execute your plan, then call it brilliant.24. â€Å"I’ll do that later.†Sorry. True professionals don’t procrastinate. Clear your to-do list as early and as often as you can.25. â€Å"I know better.†Even if you do, there is no reason to condescend. You’ll look like a jerk and an unprofessional one at that.26. Speak at an appropriate volume and enunciate your words. If no one can understand you, you’ll never get anywhere.27. â€Å"Wow that chick/dude is †¦Ã¢â‚¬ This is an office, not a club. Keep your outside-work observations to yourself.28. â€Å"That’s not going to happen.†There are ways to refuse or give a ‘no’ without being a condescending blowh ard. And without getting people to root against you.29. â€Å"I quit† (or â€Å"I’m done†)Spare us the drama. Prove that you can keep it cool- even when actually quitting.30. Even if you’re shy, you must speak up now and then. Otherwise people will forget you exist or they’ll make up a story to fill in the blanks. You’re much better off being open and up front.30 Phrases Unprofessional People Can’t Stop Saying At Work